'Fresh out the Box'....

Well, I received feedback from my three story ideas from my Mentor (Cal Brunker, what a cool name, I know).... I was going between the new computer idea and the bored bus driver idea. My Mentor thought that the computer idea was better, and I have to concur. Thinking about doing to bus driver story would be really funny and fun to do, but technically I wouldn't be able to handle it. So I thought I'd go with the more simple of the two and run with it. I still have some work do in the middle to set up the gag... but I'll do that this week.

Here's the pre-production structure I submitted:
‘Fresh out the Box’ Pre-Pitch Structure:
a. Setting: opening shot is exterior of house, all the rest of the shots are interior in the man’s office.
b. Time of day: afternoon
c. Characters: There’s only one character, a middle aged man

Pitch Structure:
a. We open with an exterior shot of a house, the sky is blue and the sun is shining.
b. Until the door opens and the main (and only character) pops his head out, looks around with curiosity, he looks down and sees the box. He gets a surprised then excited look on his face, steps out, bends down, picks up the box and brings it in the house.
c. And then now we’re in his office showing his empty desk all cleaned and ready to put his new computer on.
d. And then he starts assembling the computer components onto the computer desk (shown with quick 1-2 second cuts).
e. And then he’s ready to turn on the computer. He presses the power button
f. And then nothing happens, he looks surprised, shocked and confused, he presses it again. Still nothing. He looks angry now with some frustration.
g. And then it shows him trying different methods of troubleshooting, looking at the owner’s manual, maybe on the phone with tech support, studying the front of the computer, lifts up the mouse, etc (there are going to be 5 or 6 different things he does, again all shown in quick 1-2 second cuts). Man is getting more and more frustrated with each shot.
h. Until finally he gives up by banging his head and fists on the desk. Meanwhile the camera is trucking back to reveal that the power cord isn’t plugged in, cut to a close up shot so there’s no confusion what to look at.
i. The moral/point of the story is sometimes the simplest explanation to the problem is the most obvious one, there’s no need to get so upset by it.

Here's some reference I'm going to use in the planning (not for the animation, just some the timing of shots used are what I'm looking for with mine):

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